In the middle of all this, what Apple chooses to focus on is to implement a redesign that no one asked for, that butchers both the most conceivably fundamental usability and the visual pleasantness its user base has self-selected its platforms for; which only saving grace is that it is half-assed enough to not actually really change some things too badly, compared to what it could have been like. Although, had I upgraded to macOS Tahoe, chances are on top of the visual change, I would have been treated to basic Apple Event infrastructure falling apart and stopping working causing hangs, instability and unpredictability.
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Bateman, Harbour, and Cardellini are formidable, though. Bateman's typical dry humor is perfect for Clark's understated scumminess, and Harbour is wonderfully warm. I wish Cardellini got more to do (which she might in the last three episodes). For now, Carol toggles between Clark's view of her as his fantasy woman and Floyd's view of her as a sexless nag. Somehow, Cardellini finds a middle ground that helps Carol feel more her own person, but in the scheme of the whole love triangle, Carol remains the most unknown of the points.